One of the most notable periods in Bangladesh's industrial history is the handloom weaving. Bangladesh's handloom industry has gained international
recognition since ancient times. This craft helped the Bengal region—and Dhaka
in particular, gain prominence. Weaving achieved extraordinary heights
throughout the Mughal and Sultanate periods. In Bangladesh, the handloom sector
has historically been the oldest and biggest. The carriers and guardians of our
legacy are the handloom sector and its weavers. Our nation's culture closely
entwined with this craft.
The
handloom industry in Bangladesh has a tangled history of development, but its
ancient roots are undeniable. Bengal's handloom and textile industries were
noted in the writings of the great 19th-century researcher James Wise, the Chinese Buddhist pilgrim Xuanzang from the 7th century, and the well-known
explorer Ibn Battuta from the 13th century. These allusions imply that Bengal's
handloom industry is very old, reflecting our heritage, culture, and customs
that date over thousands of years.
The
exact origins of the handloom industry remain somewhat obscure. Historical
records suggest that the early Basak community's weavers were the original
craftsmen. These individuals, primarily nomadic, have been weaving since
ancient times. The people associated with this garment industry are known as
'tantubay' or 'weavers.' Initially, they resided in the Indus Valley basin but
moved to Murshidabad in West Bengal due to natural calamities and later to the
Rajshahi region. From the history of the handloom industry, it is known that
weaving has been practiced in Manipur for a long time. Manipuris primarily wove
fabric to meet their clothing needs, and their woven products later became very
popular in Bengali society.
During
the pre-British era, the handloom industry, although a cottage industry, played
a vital role in both local and foreign trade. The weavers carved out a special
place for themselves using the talents passed down through the centuries. It is
stated that Muslim weavers were referred to as Jola, and Hindu weavers went by
the basic term Basak. The handloom industry was expanded by weavers from many
locations, including Rajshahi, Tangail, Sirajganj, Kishoreganj, Narsingdi,
Dhaka, Narayanganj, Comilla, and others.
Our
handloom business, which has long been a part of our history, is highly valued
both nationally and internationally. Historically, handlooms in different parts
of the country used the fine thread made from the footicarpus plant that was
growing nearby to weave textiles. These weavers have unique qualities; they are
the descendants of the Mughal and Sultanate dynasties. Fine cotton textiles,
jamdani, and muslin were previously manufactured by their ancestors. From the
Delhi Mughal court to the British royal house, muslin was renowned. Bengal's
status has increased globally thanks to its well-known muslin. The historical
jamdani of Sonargaon in Narayanganj, Rajshahi silk, Tangail sarees, Comillakhadi, Sirajganj lungis and gamchas, Mirpur Benarasi, and the other handloom
items are still produced today.
Aloom is a special type of machine used to produce fabric from cotton or thread
derived from cotton. Various types of looms can be seen in Bangladesh, ranging
from small portable looms to large ones, as well as the waist looms used by
Manipuris and other ethnic groups. Generally, threads are tightly wrapped in
bundles on the loom. When the loom is operated, the thread is pulled according
to a specific design. The techniques of the loom vary depending on its size and
type. In the Bengal loom, pulling the lever moves the spindle, wound with
thread, horizontally. The rhythmic clicking sound of the spindle can be heard
day and night in the weavers' neighborhood. Every family of weavers owns a
spinning wheel, and all family members, including sons, daughters, and women,
are skilled in spinning and weaving fabric. With deep concentration and
dedication, the weavers work day and night to produce intricate and delicate
fabrics. Skilled artisans create various types of cloth, including sarees,
lungis, gamchas, khes, mosquito nets, and bedspreads. Typically, men weave the
cloth, while the women assist by spinning yarn, dyeing, and performing other
tasks. The weavers infuse their creativity into designing various patterns and
motifs. This ancient craft requires knowledge, devotion, and an artistic mind.
Each weaver is an artist, which is why our handloom industry is so renowned.
Since
ancient times, Sirajganj sarees have been a part of our history, culture, and
heritage. These sarees have been made by talented Sirajganji weavers for many
years. The sarees of Sirajganj and Tangail are mentioned in the travelogues of
Xuanzang and Ibn Battuta. It is unclear exactly when weaving in Sirajganj and
Tangail started, but saree-making is still a tradition in both areas. These
sarees have been woven by the Basak community's weavers for thousands of years.
These weavers use cotton thread to create comfy, attractive, and elegant
handloom sarees. These sarees' primary characteristic is the embroidery on the
edges and borders. Nonetheless, the 1990s saw a number of notable modifications
to the saree industry. In this period, sarees made of soft silk and half-silk
grew increasingly
The
handloom industry plays an immense role in Bangladesh's national economy.
Handlooms produce approximately 700 million meters of fabric annually, meeting
about 40% of the domestic demand. The industry generates around 15 billion BDT
in value-added tax. Bangladesh's handloom industry is the largest cottage
industry in the country. According to the 2003 government handloom census,
there are currently over 500,000 handlooms in the country. The handloom
industry supplies nearly 75% of the total fabric demand in the country and
directly employs about 5 million people. In 2009, Manipuris began exporting
their fabrics to the United Kingdom, generating 2.2 million BDT, which
increased to 3.1 million BDT in 2010. In 2012, approximately 5 million BDT
worth of Manipuri fabric was exported to the UK.
Even
with the introduction of electrically powered power looms, which have
revolutionized the handloom business by fusing handlooms with power looms,
several obstacles still exist. The manufacture of high-quality clothing
that satisfies contemporary needs is hampered by rising costs for thread, dyes,
and chemicals; anomalies in marketing; a shortage of qualified labor; inadequate
designs; and a lack of cutting-edge technologies. Fashionable, beautiful
clothing is hard to make if handloom workers don't receive timely instruction.
Furthermore, the matter of capital continues to be a noteworthy worry. There is
little government assistance for the handloom sector. Owners of handlooms are
forced to turn to high-interest loans from unofficial lenders since there are
no significant government loans available. Lack of funding has already caused
many handlooms to close.
A
difficult test lies ahead for the handloom sector in this age of globalization
and growing mechanical aggression. Business planning, appropriate support, and
public-private collaboration are required to overcome this. Reviving this
historic business will require raising the caliber of regional handloom
fabrics, offering advanced training and professional education, and keeping up
with contemporary fashions. The 'Bangladesh Handloom Board Act 2013' has the
potential to significantly contribute to the growth and advancement of this
sector. Reusing the historic designs of Bangladesh's handloom industry is a
project being worked on by several institutes. It is possible to improve the
standing of the domestic handloom sector in this unfair competition by
encouraging public love, emotion, and awareness for regional textiles. Assisted
by the public and private sectors, weavers' efforts, and textile
Citation: jugantor.com
Prepared by:
Md. Jahidul Islam| Digital Marketer